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Wallowing in Yarn

Never enough ...

Never enough ...

Being under the weather this week I’ve been seeking solace in my yarn stash. My collection is more than enough to cover the floor of my studio… and keep me busy fondling and planning. (”Make yarn angels,” says designer Pinka Peck.)

I have 31 binsful. A dining room sideboard stuffed with plarn (plastic bag yarn). Half a ping-pong table loaded with T-shirts ready to be cut into strips. And two shelves stacked with reels of VHS tape.

This isn’t going to last me a lifetime.

In fact, I’m totally out of green DK because I used all of it for an oversize shawl that blends about 10 shades and hues (in different amounts) into a progression of dark to light. I’ll show it to you next week, after the fringe is on.

What Dust Bunnies

If I ever needed proof that I’m obsessed with crocheting unusual materials and that I’m a lousy housekeeper, I have it now: I can’t find my iron.

This isn’t a run-of-the-mill iron. It’s a hundred-dollar Rowenta; the pro model with a heavy-duty shot of steam. I used to use it all the time to block my Aran-style knitting and crochet, especially the sweaters I knit annually for my husband, which are almost always loaded with cables and other dense textures. PBLOG020_2007

I blocked last year’s sweater with the wet towel method because the iron has been AWOL for about a year. That’s about the same length of time I’ve been playing with plarn (plastic bag yarn), tarn (T-shirt yarn), wire, and binding twine.

Hmmmm. I’ve heard other stitchers say that their housework is often ignored. I guess that means I’m in good company.

Idle HandsPBLOG007

One of the small pleasures in life is curling up in front of the TV with some yarn, a hook, and a sci fi show. That’s my Friday night. The house rule is that no one talks to me, asks me to get anything, or in anyway interrupts me once I settle in. Even the two dogs have figured this out.

So I recently planted myself on the couch in my studio, equipped with a big ball of binding twine and some test fabric strips cut off a T-shirt. I much prefer to indulge in mindless stitching while glued to my shows … but time’s a’wastin. (I’m committed to designing and completing 20-some projects in the next two months. There’s lots of experimenting involved because I’m working with non-traditional materials.)

There I am working up a single-crochet swatch in binding twine. That stitch, which I’ve now used for oodles of projects made from plastic bag strips, is boring me to tears. So I start playing with stitches that create a star effect. It turns out that it isn’t worth the effort because stitch variations have to be really dramatic to be visible in the twine.

I need dense crocheted fabric that’ll almost stand on its own, so single crochet it is. And I’m going to try wearing a driving or golf glove on my non-dominant hand while I stitch.

The rough twine is doing a number on my pinkie and left index finger when it feeds through for tension control. The twine dragged on the thin cotton glove I tried last night.

The Little Engine

Have you seen the public service billboards that feature a portrait of Lincoln and the words Failed and Tried Again? I’m trying to keep Abe’s example in mind as I yet again type in the revisions for an outdoor privacy curtain. This is Take Eight. (And I save older versions so I can revert to earlier explorations if the new direction isn’t working.)PBLOG006

Revising and correcting instructions is tedious work. It’s also necessary. Some designers don’t do it at all. Instead, they just stitch up an item and then work out the instructions. I fear I’d forget things if I did that.

My first step after visualizing a project is roughing in the instructions. Only then do I start stitching … with the laptop, fired up, right beside me. I like to type and revise the instructions, row by row, as I make the stitches. Later I clean up the wording. Little notes become tips and hints. Sometimes I add end-of-row stitch counts as I complete each row; other times I add them at the clean-up stage.

In the Stars

Why is a crocheted star motif so hard to design in the round? PBLOG005

Generally speaking, geometric shapes are a smidge tricky to work out when there are rounds rather than rows. It’s a breeze in knitting. If you have a piece of hand-knitted fabric pull it out and look at the stitches: Each one lines up perfectly with the one directly below it. Now look at a piece of crocheted fabric. In rows, the stitch position zigzags back and forth.

A knit stitch is formed by making a new loop in the very center of the loop in the row or round below. A new crochet stitch, on the other hand, is worked to the right side of the corresponding stitch in the previous row or round. There are exceptions, of course, such as working into a chain stitch.

Crocheting back and forth in rows keeps colors and stitch patterns aligned because you’re flipping the fabric. Working in the round, however, doesn’t allow for this correction. Every round shifts the pattern another stitch to the right. This means that working out a pattern for stitching in the round isn’t a matter of simply charting the work before stitching.

Though I know this all too well, hope springs eternal that I won’ need to think about my design before I start stitching. Besides, I was too distracted by a really good TV show. So there I was, watching my star turn into a swirl or—even more aggravating—get lumpy at the edges. I finally solved the problem by strategically placing decreases at the lumpy spots. I’m making a tablecloth, though, so I had to make increases to compensate, plus work additional increases to keep the crocheted “fabric” flat as it grew larger and larger.

That, thankfully, has all been worked out. My last challenge is to make the increases, decreases, and color changes rhythmic, repetitious, and predictable. Instructions should be elegant, so they’re easier to follow.

Off I go to rip out my work again. I could stash each partially stitched tablecloth, but why? No way this Greenie’s going to toss out that failed-and-incomplete…thing. Besides, I spent a lot of time collecting and cutting those bags.

Plarn Secrets

My most important discovery when prepping plarn (plastic bag yarn) is that ripping out and fastening off must be done very carefully.

Plastic bag strips lack the resiliency of most natural-fiber and synthetic yarns. (Let’s leave roving out of this, okay?) In other words, if I yank on a strand of traditional yarn it bounces back to its original state. Not so with plastic bag strips. I pull; it stretches. I tug more sharply; it breaks.

Ripping out stitches wasn’t hard once I got the hang of it, but I needed to use a different technique: Unpick each stitch. Only after a loop is free of the stitch and fabric do I gently pull the working strand to release and straighten it. The process goes faster than you might think it would. It takes practice, though. And a long index fingernail.

After hours of ripping out and reworking a star pattern in the round, I’d say I’m pretty good at it.

Pick Up Sticks

Crochet With Plastic?Usually, my precious sidewalk and thrift shop finds sit in the basement until my husband (a.k.a. The Boy) gets mad about all the junk. Then I hide it in my studio. Under the bed. Inside pillows. At the back of filing cabinet drawers. Truthfully, though, a lot of it gets used up. I like to play with materials because I never know when something really fun will happen as a result.

That’s how I got started with plastic grocery bags. I have a purely automatic habit of picking up a crochet hook whenever I sit down. (The sticks are scattered everywhere. I’m not much of a housekeeper.) One night I picked up a hook and then reached for the nearest thing, which happened to be a plastic bag. A few stitches later I was, um, hooked. I needed a steady supply. For a few days, The Boy thought I was walking the dogs more often than usual, because the plastic bag collection was rapidly shrinking. Then he saw my wonky little crocheted clutch. … Our doggie bag stash is now off-limits.

The ban is fair enough, because he did the legwork collecting those bags. And my crochet experiments are using up dozens and dozens. I’ve tried different ways of cutting the bags to get the most “yardage.” Made strips of varying thicknesses to discover when the “gauge” is too weak to support a stitch. Explored stitches and patterns to find out what’s appealing and suitable for different projects. And, well, just played.